Detailed view for the Book: Closing Time

Title:

Closing Time
 

Authors:

Genres:

Humour & Satire
Avante Garde & Surreal

Ratings:

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Average Enjoyability:
5
1 votes
Average Rereadability:
1
1 votes
Average Complexity:
6
1 votes
Average Character Development:
7
1 votes


Editions:

# Date Publisher Binding Cover
1 1994-00-00 Simon & Schuster  

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Blurb: 
Just like the original Catch-22, this sequel opens with Yossarian in a hospital bed, flirting with the nurses. Now in his late sixties, Yossarian is depressed by his perfect health: things can only get worse. He lives alone in a Manhattan apartment not far from most of his old war buddies, including Milo Minderbinder, a defense contractor straight out of Dr. Strangelove. Yossarian and company mourn the decline of New York City and American culture in general and look back longingly to the golden age of prewar Coney Island. The symbolic center of the book is a surreal wedding extravaganza held at the Port Authority Bus Terminal and hosted by Minderbinder, who recruits highly paid actors to portray derelicts and prostitutes. At the end of Closing Time, both Yossarian and the chaplain may commit passive suicide. Both were deep within the bowels of the earth, safe from a possibly impending nuclear holocaust the President of the United States launched believing he was playing a video game. Both decided to go back to the surface. Yossarian decides to keep his lunch date with his girlfriend; the chaplain boards a bus to go home to Kenosha, Wisconsin. This work attempts the same sort of giddy black humor that made its predecessor a classic, but the underlying mood is somber, almost elegiac. The book is an oddity, in that two stories are interwoven throughout - that of Yossarian, and that of Sammy Singer, who is named as the tailgunner in Catch-22 who kept waking up and fainting when he saw Yossarian trying to attend to the wounds of Snowden. The tale of Sammy Singer is completely different in mood and style, and seems to be an attempt either at writing a novel within a novel, or of trying to combine two unfinished works. The tale of Sammy Singer is extremely nostalgic, is written in the first person, and is very Jewish in viewpoint. The only connections between the two stories are Catch-22, references made by Singer to Yossarian and the war, and a chance meeting of the two. From Wikipedia.com